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"In the 1850s, Leonardo da Vinci was considered no match for giants of Renaissance art like Titian and Raphael, whose works were worth almost ten times as much as the 'Mona Lisa'. It was only in the 20th century that Leonardo's portrait of his patron's wife rocketed to the number-one spot. What propelled it there wasn't a scholarly re-evaluation, but a burglary." -ms.05.14.14 #
A post from the daily flow of linkage called Fresh Signals, at Coudal.com.