No, it doesn't make a lot of sense.
That's why it's fun to read: The rules of Cricket, explained by Kevin.
Vashi on the anamorphic cinematography in John Carpenter's The Thing, and the "the massive landscapes and perfectly composed wide shots that are sprinkled throughout the film." -jc.06.26.14 #
A post from the daily flow of linkage called Fresh Signals, at Coudal.com.