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"His camera thus takes a disinterested stance, focusing instead on the images of wheat and sky, seeing Bill's plot as a natural event as common as the seasons." Peter Labuza on Days of Heaven from an excerpt from Approaching the End: Imagining Apocalypse in American Film. -jc.10.15.14 #

A post from the daily flow of linkage called Fresh Signals, at Coudal.com.